Thu, May 14, 2009 – 2:10 am
My wife sat down with Michael Norris and talked about writing the screenplay for Eye of the Sandman. Go read it already…
Tue, May 5, 2009 – 8:40 pm

Jakub (Aaron Graham) and Joey (Tom Herman) in "Paint Crew"
We shot our latest short yesterday, a comedy written by MT, produced by LouAnn, and directed by yours truly. Starring Tom Herman, Aaron Graham, and Kirby O’Connell. It’s off to the editor tomorrow, and should be done this summer. More stills from the raw footage:

Jakub (Aaron Graham) and Joey (Tom Herman) in "Paint Crew"

Laurel (Kirby O'Connell) in "Paint Crew"
Tue, Apr 28, 2009 – 1:17 pm
My good friend Tom Herman interviewed me this morning on Vocalo.org. They’ve been running a series on local musicians, so I came in and talked a bit about life as a Chicago freelancer. As promised, here’s what I played, and where you can hear more:
- Otakar Ševčík: School of Bowing Technic for Violin, 4000 Systematic and Progressively Graded Bowing Exercises, Op. 2. No. 5.
- Alaric ‘Rokko’ Jans: “If Music…” from Twelfth Night. Now on stage at Chicago Shakespeare. This was on viola. At the start of the interview, I played some of the show’s underscoring on violin.
- Richard Rodgers: “If I Loved You” from Carousel. Now at the Joffrey Ballet. I also played a little bit of the opening music.
Vocalo is a really interesting concept. Its mission is to be “a place to create,” and users are encouraged to share their audio, video, and images, which the hosts then use on the air.
Thu, Apr 16, 2009 – 8:28 pm
The New York TimesIn Newark, Ohio, a shifting economic landscape is affecting the town's high school musicians.
This excellent New York Times video profiles the Newark Ohio High School Sinfonia and its trip to New York for a national orchestra competition. The piece reminded me (yet again) of how fortunate I was to have grown up in Alaska in the 80’s, when a lot of oil money went to schools, the arts, and extracurricular activities.
Anchorage had a great orchestra program in the schools, and a city-wide Youth Symphony, with which I traveled to Australia, New Zealand, Washington, D.C., and New York. It’s good to see that much of that continues, but the fact remains that these programs are under constant threat from those who question their value. The difference between the value of a thing and its cost is subtle. Well, it’s not subtle to those who understand and appreciate value.
Yes, we’re in an economic downturn. But if we let these programs disappear now, our society will pay a much higher cost in the future. Also see the companion article.
Tue, Mar 10, 2009 – 11:43 am
TelegraphA Dalek from Dr Who was found submerged in a pond by volunteers enlisted to clear it of rubbish.
I’ve been watching a lot of Doctor Who, lately. Mostly the new series, but also some from the 70’s. Whenever I become involved with a series like this, I suddenly have to consume as much of it as possible, exploring the canon, and discovering all its clever connections. It’s a mild obsession, however, so don’t expect me to spout off too many fine details.
There are many things to like about Doctor Who. Its humor, the vague-but-plausible science, and the robots. And the zombies. And the zombie-robots dressed up as Santa. And the zombie-robot-scarecrows. The producers must have a long list of extras ready to suit up for any given episode.
So, when I ran across Urban Camouflage, I thought these would make fantastic Doctor Who zombie-bots:
Be sure to watch some of the videos on the site. There are some fun reactions from IKEA shoppers, and it’s amazing how they blend in with the store. Until they start moving.
RUN!
Fri, Feb 13, 2009 – 5:19 pm
If you live in New York, or happen to find yourself there next week, then go to LaMaMa’s La Galleria on Wed, Feb 18th. My wife’s play Infernal, will be read, along with several other new works. More info at Playbill.
I’ve had the pleasure of watching Infernal get better and better over the last several months, and I’m extremely proud of the great work MT has done.
If you can’t make the 18th, then go the 19th and see our friend Carlo Matos’ Amalia’s Magic Mirror, because MT will be reading in it. And because it’s a great play.